Your Wedding Photographed on Kodak 35mm Film
I photograph the entirety of your outdoor wedding exclusively with my reliable, tank-like workhorse of a camera: the Nikon F5, loaded with Kodak Gold or Kodak Ultramax 35mm film. And while I make every effort to use film both indoors and at night, the ambient light in your venue will ultimately influence how I photograph your wedding at any given time.
However, some pictures may not be technically possible to photograph on film regardless of available light, in which case digital would be the practical choice. A prime example is the Beverly Hills City Hall building, in which I use a specialized digital camera to photograph the entire building in one frame. I approach weddings as a pragmatic professional service provider first, artist second.
Now, to be absolutely crystal clear, how I photograph a wedding is not what most wedding photographers call "hybrid coverage" in which both film and digital are used simultaneously, often taking the same picture twice on both formats. Or worse, advertise film coverage to then use one roll of film with all digital coverage with film aesthetic presets. A deceptive and performative practice all too common these days. My approach is strictly Kodak film all the way through until the sun goes down or the party moves indoors at night.
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Think of standard digital wedding photography as McDonald's and film wedding photography as your local hamburger joint with two flavors: the hole-in-the-wall that's been around forever and serves the same menu it always has, and the expensive gourmet burger spot — the hipster restaurant or high-end steakhouse.
With McDonald's (digital), you know exactly what you're getting: consistency every time, no matter which location you visit. It's almost always open, offers speedy service, and comes with the convenience of being available nearly everywhere. On the other hand, the local joint (film) — whether it's the old greasy spoon or the upscale steakhouse — usually has only one location. It may be more or less expensive, might not always be open, and often comes with longer wait times. And while the quality is absolutely there — because more of it is done by hand — the consistency varies from one experience to the next.
In other words, film is less like one restaurant and more like every independent burger joint in town. Some are affordable neighborhood institutions. Others are expensive gourmet experiences. None of them are trying to be McDonald's. McDonald's gives you consistency. Independent restaurants give you something more individual but less standardized. Neither is inherently better than the other because both deliver a great burger — or, in our case, a great picture. So like most things life, it comes down to personal preference and what you value most.
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