Southern California Wedding Photography on Kodak 35mm Film
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The Nostalgic Look of a California Wedding
My documentary-style film wedding photography is visually sophisticated, bright, and Los Angeles-centric, with a fine-art editorial, fashion-forward instinct. Drawn to the warmth, nostalgia, and simplicity of a mid-century summer vacation, with sun-washed colors and textures inspired by timeless Spanish Californian and Art Deco architecture. An artfully cinematic, lived-in, romantic Southern California wedding, intentionally photographed with the composition of a fashion editorial and plenty of negative space.
Simple Flat-Rate Wedding Photography Pricing
Small Los Angeles Wedding
$4,700
single venue wedding of 120 guests or less
welcome (rehearsal) dinner & after-party coverage included
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Destination Wedding Weekend
$7,500
multi-day single venue wedding of around 120 guests
welcome (rehearsal) dinner, after-party & day-after coverage included
base cost does not include travel and accommodations
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Wedding Day Coverage Time
Coverage time begins 30 minutes before your scheduled ceremony time and I stick around until the party naturally winds down or we get kicked out of the venue — unless there's a last-minute after-party. I never say no to late-night cheap beer and bottom-shelf tequila shots at the local dive bar.
Same deal with destination weddings, with the addition of showing up to the welcome dinner the night before and the pool party the day after the wedding. Now, keep in mind that I am a one-man show, so I need to know if I can realistically cover your wedding on my own. Because a 20-guest wedding and a 500-guest wedding are not the same thing, even if the timeline is identical. And yes, all my weddings are photographed exclusively on real Kodak 35mm film, daylight permitting.
What's Not Included
To keep my rates competitive in this economy, I do NOT photograph the following: getting-ready, indoor religious ceremonies (film cameras are too loud), extensive bridal party pictures, and heavy catalog product-style details — such as table decorations, floral arrangements, lay-flat stationery, and similar setups that are created primarily for vendor promotional content.
Now, keep in mind that there are only so many rolls of Kodak film I can carry at any given time, and I can't just walk into a 7-Eleven to pick some up mid-wedding if I run out. So I'd rather use this finite resource to photograph you, your family, and your friends who traveled far and wide to be here with you. And to be clear, I'm not saying I won't photograph the decor, I just won't make a catalog photoshoot out of it.
Your Wedding on Kodak 35mm Film
If your wedding takes place outdoors during daylight hours I will photograph the entirety of your wedding with the Nikon F5, loaded exclusively with real Kodak Gold and Kodak Ultramax 35mm film. However! At night, I use the Nikon D700. Because while I make every effort to use film both indoors and at night, the ambient light of your venue will ultimately influence how I photograph your wedding. I approach weddings as a pragmatic professional service provider first, artist second.
Now, to be clear, how I photograph a wedding is not what the industry calls hybrid coverage in which both film and digital are used simultaneously, taking the same picture twice on both formats. Or worse, advertise film coverage to then use one roll of film with all digital coverage with film presets. A deceptive and performative practice all too common these days. My approach is strictly Kodak 35mm film all the way through until the sun goes down or the party moves indoors.
Frequently Asked Questions
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As a limited experimental service, I offer wedding video coverage on a Sony Handycam retro Y2K camcorder. And by experimental, I mean this is not cinematic wedding videography. It's more your unc walking around with a camcorder home-video style, zooming in and out, with ambient conversations, and improv interviews. But this is a standalone offer and cannot be combined with my photography services. I am a one-man show after all.
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The 35mm film negatives of your wedding are not included as a standard deliverable. As these are THE original wedding pictures, I prefer to hold on to them in the unlikely event they need to be rescanned due to a hard drive failure or Pixieset, the online gallery service, shuts down. This is no different from any other wedding photographer not including the original digital RAW files as a deliverable.
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I'm a one-man show. I'm the one you email, the one you call on Zoom, the one who shows up to your wedding, edits your pictures, and hand-inspects every print before delivery. Nothing in my workflow, or the pictures I take of you is automated, outsourced, or run through Ai. This level of attentiveness is why I only book small intimate weddings. Allowing me to photograph your wedding without relying on an associate, an assistant or even a second photographer. You are booking me — not a photography company.
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Absolutely internet stranger! I photograph a handful of confidential weddings each year in Los Angeles, and have no hang-ups with not using these pictures for social-media or even my own website. Coincidentally, many of my clients are not heavy social-media users themselves, some are not even on social-media at all, and their privacy, as well as yours, is more important to me than a few likes on Instagram.
Deliverables
Each booking includes a 4x6 print proof set as a standard deliverable. Not a curated set or a print credit, but a full set of 4x6 prints of every final edited picture I personally inspect before delivery. Along with an industry-standard online gallery of the exact same prints where you can view and download the entire gallery in high resolution, as well as order additional prints.
The total number of images is determined by how your wedding naturally plays out, but most of my clients receive at least 250 images, and my destination clients average around 350, give or take. I invite you to lurk through my clients' wedding galleries to give you a solid idea of what that looks like.
Turnaround time is approximately 90 business days after your wedding for mail delivery of the proof set, with the online gallery delivered thereafter. Because I believe you should experience your wedding for the first time in your hands, through prints, not on a screen. You will see why when you have them.
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Destination Wedding Limitations
Destination weddings that require me to fly out of Los Angeles are not practical because flying with plastic bags full of Kodak 35mm film means dealing with strict airport security and film-damaging X-ray machines. That said, I do photograph multi-day destination weddings in the Central Coast, San Luis Obispo, Paso Robles, Palm Springs, and even Taco Bell Cantina Weddings in Las Vegas.
Meaning! If I can drive to your wedding, I'm in — including driving out of state. Please note however, that the base price does not include the cost of the car rental and a three-night stay near your venue, both of which will be billed separately. Likewise, weddings outside the greater Los Angeles area will incur a $150 travel fee. Beverly Hills Courthouse Weddings are except from travel fees.
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The Drunk Wedding Photographer is a Los Angeles wedding photographer for cinematic documentary weddings in Southern California on Kodak 35mm film.
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